eternal sunshine of the drunken mind.

Chasing a story

I woke up staring at the ceiling. Greg was asleep beside me. I couldn't remember arriving at his apartment, but that was pretty normal. Steve always let us drink more than we needed and stay later than we should. My mind was prone to moments of blackout drunkenness just around bar close, coming back into consciousness sometime after landing at home.

Then I realized that I didn't remember the night at all. Nothing of what we had done once we started to get drunk, nothing after something like one a.m. That was unusual.

I reached a hand below the blankets. I was fully dressed, still in the jeans and shirt and belt and bra that I had worn the night before. He was snoring beside me. I had no headache. My head was clear, save for the sudden confusion of the hours lost. I couldn't remember getting very drunk. Where had the night gone?

I slid out of bed and tiptoed into the hallway. The house was silent; we were the only ones there, as we had been among the only ones left in the city on this Wednesday before the holiday weekend.

Just outside of the door to the bathroom was a full glass of water sitting on the floor. In the bathroom, I sidestepped a small patch of puke on the floor, then avoided the bit on the back of the toilet seat. My scarf lay on the floor a few inches away. I checked my face in the mirror. I looked good, just a bit of dark makeup gathered below my eyes, but that was normal with the layers of mascara and eyeliner it took to give my eyes the character they deserved.

I searched the bathroom and the kitchen for some sort of cleaner and towels, and finally settled for the roll of paper towels from the kitchen counter and the Windex from below the sink. I scrubbed the puke from the toilet and the floor. I noticed whole french fries and black olives caked into the drying bile. My lunch; I guess that makes this mine. I didn't usually puke, but it made sense along with the blackout. Why had my lunch not digested? I had had two meals and some unknown number of beers and whiskeys since lunch; why would I vomit whole pieces of that food?

I dumped the glass of water and refilled it. When I went back into the bedroom, Greg was drunkenly awake and looking at me.

“I don't remember anything that happened after one a.m.” I told him.

He flashed me a dopey smile. “No? Oh, this will be good...I can't wait to tell you the story...” but he turned his head and fell back to sleep without another word.

I traced my steps backward through the house-- from the bedroom, down the hallway, through the kitchen, into the living room, to the front door-- and gathered my things along the way, trying to piece together the night to no avail. My computer lay safe on the kitchen table where I had left it before leaving, untouched. My purse was tossed to the couch in the living room, contents spilling out, but all intact nonetheless. My pen was tucked into my journal, and the last line written was the last one I remembered writing:

Made it to the Argus, finally getting drunk.

But I was still what I would call sober when I wrote that, and there wasn't a trace of my usual drunken scribbling to follow. My coat was discarded just inside the front door, with my camera inside the pocket, no filth or damage on the coat and no pictures on the camera. Not a bit of the story to be found.

I was confused. I felt absolutely fine, and I had no memories of wicked drunkenness or any sort of debauchery. As far as my mind was concerned, I had had a quiet night of drinking a few whiskeys and woken up healthy and safe. This was not going to be good for my mind's drinking habit.

I checked the clock. Eleven a.m. Shit! I had to work in half an hour. Eight hours. I felt that I should be dreading this; I should be hungover. But I wasn't; I was ready to work, ready to move. I was only regretting that I wouldn't know this story for another eight hours.

I showered and changed. I had started to keep a change of underwear, a brush, and mascara in my purse in case I didn't go home at night. I pulled a t-shirt out of his closet; some band I hadn't heard of, a black shirt with skulls on the front. My coworkers would know that this one wasn't mine, and I liked that. I pulled my cardigan over the t-shirt, piled my things into my purse, retrieved my jacket and scarf from the floor, and trotted to the nearest corner to catch a bus downtown.

This had been our first unusual move last night. We rode a bus downtown, rather than drive. We immediately relinquished all responsibilities for our drinking selves onto the city we were entering. It was four in the afternoon, and we had exhausted our motivation for work with hours of story edits and website updates in the living room of the boys' empty apartment. Christmas was around the corner, and we faced a weekend of family and sobriety. Comedy was canceled for the night, and everyone we liked had already left town. We had a full bottle of American Honey Wild Turkey Whiskey-- bourbon with the spirit of Hunter and the wisdom of the new generation.

We closed our computers, cracked the bottle open, and started to move. I gathered my tools for the field while he filled two flasks with the whiskey. We each poured a glass on the rocks to down while we pulled on our coats. I tucked the flask into my boot and raised my glass as he made his way toward the door.

A toast. He raised his glass to meet mine from across the room. “Let's go find a story!”

We took a bus into the center of the city that was completely deserted for the holiday and wandered around looking for the story of the night. Nothing was happening; every bar, restaurant, and coffee shop was closed early, and every interesting person had already left town for their obligatory annual moments with distant family. And it was cold. After an hour of wandering, we were headed down State Street to see what was on the other end. I finally admitted to myself that there would be nothing down there but an expanse of empty campus, and I stopped and turned back east and said, “Do you want to just go get drunk somewhere?”

About halfway through my shift, Greg was waking up; I started to get texts. Pieces of the story, along with his complaints of a hangover that lasted until six p.m.

Do you remember falling asleep at the bar? Nope. That seems awfully unprofessional of us. But we had been awake since nine a.m. and drinking since four in the afternoon. So, it wasn't surprising that we passed out around close. My latest memories were of sitting very quiet and observing the bar around me, becoming drunk and too sleepy to entertain any of the conversations directed my way. We had accepted two shots from friends passing through and ordered one round of our own to share with Steve.

I can't believe I got so drunk after three shots! I sent to him.

We drank seven rounds in an hour, he replied.

I didn't remember those last four. But I did remember greeting Jim and Courtney just before my memory cut off, and Joe pointing to us from across the bar and summoning Steve his way. And Johnson and his girl walking through the door. And Steve with that Whiskey look in his eye. Drinking on the Square with Greg is a dangerous game; they all know him and love him too much.

“We've come home,” Greg uttered as we settled onto our barstools at the Argus.

We had wandered the city trying to do something else, trying to avoid the same old business of Wednesday nights for this crew, since the holiday had forced us out of our routines of work and class and pizza and comedy and drinking. We made the trek around the Square, played in the snow, and searched the city for a story where there was none to be found. We fought the magnetic pull from the Argus for hours as we tried to decide what to do with our night off. There was nothing on the Square, nothing on State Street, nothing at the Comedy Club, nothing on campus. This was turning out to be the worst goddamn botched assignment ever. We sipped from flasks of American Honey whiskey to keep sharp.

We wandered into the 'Dise, like all of the other barflies with no families that night. We were drinking PBRs, and the service was slow and uninterested, and we were bored. We weren't even being served fast enough to get drunk. Boredom in winter in Wisconsin is what will make you fat. There is not a thing to do but to eat food and continue to sit and drink.

After work, I made my way to the Square to meet Steve and Greg. I needed to get the rest of the story, and they seemed to be the ones guarding the details. I walked through the Argus doors just as they were calling last call. I ordered a PBR and three shots of Jameson and settled into my stool. Steve walked into the bar from the kitchen, caught my eye, tossed his head back, and laughed out loud.

“God dammit, Steve!” I passed him a shot. “What the hell happened last night?”

“Oh, don't worry,” he replied. “You didn't do anything too terribly embarrassing, except puking on the corner of the bar.”

I raised an eyebrow and glanced to Greg. He nodded in confirmation and added, “I puked, too. But I made it into the garbage.” He pointed to the trash can beside the bar.

Steve laughed again. “Yeah, you were both puking mushrooms. It was totally gross.”

So, I hadn't been the only one vomiting undigested food. It must have just been that kind of a day. The superfluous order of deep-fried mushrooms we ended up sharing at the 'Dise had been purely to entertain ourselves, in that it's-winter-in-Wisconsin-so-what-do-we-do-but-eat-fatty-food-and-drink-beer kind of way. They must have just barely settled into our stomachs, layered and undigested atop the copious amounts of food we had already eaten that day, stirred up by American Honey, Jamo, and PBR. “Gross” was right.

Greg closed the door behind his final customer, and we drank the round of shots.

Steve slammed his shot glass to the bar. “You Gonzo motherfuckers!” he exclaimed. “She's puking on the bar, you're puking in the trash...You're fucking perfect for each other.”

I caught Greg's eye as he turned to start cleaning. He grinned and said to Steve, “Say what you want. Tell whoever you want.” He gestured in a circle over his head and mine. “This shit is Gonzo.”

dreams of californication.

How I became an Asshole.

The Doctor had run off for the summer, smoking, drinking, and fucking the things that would come his way; I never asked exactly what they were. He was inspired by Miller and Thompson and Lennon and Hicks; he was living his Quiet Days. When he was in a mood like this, all I could do was let him run and stay out of the way.

My husband was an asshole. Not the kind of asshole who will fuck your sister and buy you diamonds to quiet his guilt, but the kind of Hank Moody asshole whom you can't help but fall in love with but wonder at every scene How can anyone live with this guy? The kind of guy who will wind up in a threesome with his agent and some woman he neglected to call back once, in order to enjoy the freak show and do his buddy the favor of getting him laid. His love keeps going back to him despite these indiscretions, and we root for the couple throughout the series; yet we hope, deep down, that they will never resolve their differences for good-- because then the story will end.

He was always prompting me to go out and do this on my own, go make something happen, cross the Gonzo line and understand what it's like on his side. But I never really knew how to do this. In the end, I always preferred la soledad, I guess, preferred to sketch the scene rather than make it. I'm a writer, for Christ's sake; this isn't a group activity.

But I found myself alone on a holiday weekend and feeling I needed to try it, at least. Get the fuck out of the house; if I was to find a story, it was going to be out there. So I started wandering. I spent hours in the city's parks, ate crepes and drank coffee, smoked a bowl on a pier watching fireworks over the lake, and sampled a few Bloody Marys downtown on Sunday afternoon. Writing the whole time, observing the stories of Independence Day in Madison.  I was there to experience something and record it, and it made me want more out of the days to follow than my empty apartment and the safety of work and school and peace and quiet.

Make something happen. The words began to ring in my ears at every moment. If I found myself sitting still in the afternoon or ready to go to bed before midnight, these words would creep into my mind, kick me in the ass, shove me outside to do something in the world.

The next Tuesday night I joined my new coworkers for drinks, and we ended up skinny-dipping. Tuesday nights don't always end this way, but they do usually start with dollar rail drinks, so it was no surprise. It was a gorgeous July night, long after dark-- slightly after bar-close, actually-- when Julia suggested we go swimming at the beach near her house. The three of them were about to hop into the water in their underwear when I explained to them what a terrible idea this would be, with thought to my excursions up North.

“You're going to end up wearing wet underwear under your clothes for the rest of the night. I know I'm new here, but if I contribute anything to this crew, let it be this wisdom. Just go naked.”

So, I made that happen; I crossed the line and I took them with me. It was a good start, and it made me feel fabulous. I quickly found good Monday and Wednesday events to sandwich in Tuesday's dollar rails, tried out a few Long Islands after work on Thursdays, and returned to my old office, der Rathskellar, to sketch the scene on Fridays. Saturdays I just wander; Saturdays can be wild or lonely or productive or inspiring or forgotten in the haze of Jameson and weed and Perkins' strawberry waffles.

I grew tired of staying at home.  I was going to class all day and work all evening, and when I left work I didn't want to go home. There is nothing there but some weird neighbors, an empty pantry, and a cold bed. I was practically living the life of a bachelor, and a bachelor pad is the last place you want to be alone if you are awake after two a.m.

On this side of the line, my philosophy is different; my life is different. I drink enough coffee that going to bed is rarely an option, and I drink enough alcohol that staying out always seems like a good idea. I avoid most reasons for ending the night; if something other than going to bed is offered, it usually wins, even if it is sitting up at the library and hammering out a paragraph of a story before I simply can't see anymore through exhaustion or drunkenness or that heavy combination of the two that occurs around six a.m.

I had begun to savor excess. That is what will make you an asshole. Someone will want to reign you in, and you will fuck them over. The Doctor sits in Northern Wisconsin somewhere thinking My wife has run off to smoke, drink, and fuck the things that come her way. And I am saying Don't ask what they are; just let me run, and stay out of the way. His Quiet Days in Madison turned out to be his final blowout at precisely the time that the weekend pushed me over the Gonzo line into chaos. Exactly the sort of asshole I am is the kind of person who will turn from la soledad to la vida loca on a dime without thought to those in tow. I am the sort of asshole who feels justified in this, who continues to plow forward unapologetically, inconsistently, a different sort of asshole each day.

I would call him in between bars to keep in touch That's a bad idea. “Just leaving the Argus, headed to the Cardinal for some music, then I think I'll swing by the 'Dise for one last PBR. I'll give you a call when I leave there.”

But then some guy sat next to me and talked about his novel all night, and when he offered to let me try out his Volcano as we left the bar, the Editor smelled inspiration and couldn't possibly say no. And now I have a new Gonzo novel to edit. And I got to know the bartender, so when he pours me a beer as he locks the doors at two a.m., I think about the cold and empty bachelor pad that awaits me across town if I leave now in time to catch the last bus, and I take the beer and another two, join him for breakfast, and walk home at eight a.m.

Upon leaving the comedy club one Wednesday, I was invited to join a friend for a few more drinks at the Dollar. It was eleven o'clock and Wednesday and everyone around was starting to go to bed, so I figured it was the duty of the Editor to carry on. Eleven would be an embarrassing time to check in. And after a few shots of Jamo and few more PBRs, the bartender was calling last call, and everyone around was ready to go to bed, so I figured it was the duty of the Editor carry on further. When my friend suggested we crash our sleeping buddy's house, it sounded like a great idea, as do most terrible ideas after two a.m.

So, we stumbled that way and tossed pebbles at Craig's bedroom window until he stepped into the cool early-morning air in boxers and slippers to join us for a cigarette. Certainly there was no wholesome reason for me to be up until four a.m. attempting to watch Kill Bill and call a cab and melt into Craig's couch flanked by two single men while the Doctor slept alone two hours north, and the wicked hangover that kept me home all day Thursday reminded me of this. But, that happened, and I live to write the story, and I am just the sort of asshole who calls that a success.

Once you start to savor excess, anything less feels like a failure, as you know you are missing out on something. Even when nothing is apparently going on, I know that I will make more happen if I stay awake and away from home than if I just cash in for the night. Moderation is never the most attractive idea, and it definitely never makes a good story. The stories are found at the fringes. The stories happen at the extremes, where moderation is shoved aside; where the line is always crossed, moved further ahead, and crossed again. The stories are in the chaos, so I have thrown myself into the chaos. I skirted the edges for a long time, flirted with moderation, and feared chaos and excess until I tumbled head first into the thick of it and found the beauty there.

“This is a real house.  It's old and broken and battered, 'cause shit happens here.  Real shit.”

Hank Moody

It will inevitably lead to loneliness, as no one can really live with an asshole for long. Crossing this line into chaos draws borders around the asshole in the middle, throws up boundaries that keep anyone from getting too close too easily. I lost the husband who was hurt by the chaos, I cut off the family who couldn't understand it, and I am out of touch with the friends who can't run with it. There is nothing to the life of the Hank Moody asshole but to sift through the chaos for a bit of magic; nothing can beat the high of landing a good story.

The good ones aren't written about people who make safe choices. They are made about the people who make magic up until the moment that they die face down in a puddle of their own vomit at the age of twenty-eight. No one fully sympathizes with the others in the story who are dealing with the bullshit, because they are so intoxicated by the magnificence of the main character. The main character is an asshole; there is no denying that. This asshole will take everything from you as she digs for a story, rip your heart out and hand it back to you as a work of art, and even you can't help but marvel at the fucking beauty of it.

welcome to the shit show.

“Is this confusion the price of loving an artist?” she asked me.

Fuck. I hate tending to a woman with a broken heart. It's like being a doctor who has to inform a patient she has AIDS. “Tell me there is some way to make it go away, doctor...”, and all you can say is, “I can help you live with it, but it will never go away. You'll survive, but you'll be slowly dying inside.”  Heartache. Some fucking virus your lover gives you that can't be cured, always present, fucking up every relationship to follow, eating away at your life.

“Yeah,” I answered, not what she wanted to hear. “I think confusion is the price of being in love with an artist, and being an artist. There will always be these things you have to work through. But it's certainly cheaper than the price of being alone or being with a Square. ”

Given the choice, I think I would prefer my lover give me AIDS.

Here I sit, on the couch; the cat cozy, clean, and friendly curled up next to me; my lover nearby at his computer, working.  We are both taking time to write on an afternoon off from our day jobs.  It's sunny outside. I've already had a good meal and a cup of coffee.  I have no place to be all day.

All of us are wishing, in a way, that it could be just as simple as this moment. Wishing, though, that we could live an artists' life and have this simplicity. But to have simplicity would be the death of our passion, our inspiration, our art.

Art is not born of order and calm; art is born of chaos and passion, and those fucking hurt people. Country music has the formula right: the harder the life, the sweeter the song. But we can all tell the difference between the real stories and the contrived bullshit, and we don't want to hear the bullshit.  We need the art.  We need the song this artist will sing about the life that is breaking this woman's heart.

Still, though, it's all so goddamn stupid. Any other animal would surely choose death before putting itself through such torment voluntarily. Only humans are dumb enough to have cultivated the ability to feel emotion-- to have studied it, analyzed it, encouraged it; to the point that we thrive on it, require it for life, live for the shit that we breed from it-- relationships, and art, and ideas.

And everything that human culture loves requires this goddamn shit show of chaos and passion to exist: our celebrities and their art, our preachers and their enlightenment, our teachers and their wisdom. The world is in love with the artists' life, although most couldn't possibly survive in it. I'm pretty sure that most of us living it aren't certain we can survive in it. But we are certain that living any other way is guaranteed death, and we're too stubborn to settle for a simple death. So we make our way through the shit show, and share our goddamn art with a world ignorant of the price.

“Sorry for your pain, dear,” I mumble, as if this will mean anything to her. I guess I'll just offer her another hug and be sure to write her story.

frenchie freedom weekend. part one: the artist.

Not too long ago I wrote the words "I don't claim the title 'writer'.  I am just a person who writes."  Then the world changed and I began to once again write for hours each day, and I reclaimed the title, reclaimed who I am.  This is the story of the beginning of the change...


I met a beautiful French woman this weekend.  And to demonstrate how wholly she has conquered the hearts and minds of me and everyone who saw her, as I wrote that first sentence, my thoughts slipped into French-accent.  Her voice, explained my husband, gets stuck in your head like a song.  We spent five days with her.  I don't fully have the time or the space, or the words, or the ink to explain everything that happened this weekend. However, I am not the only one who will attempt to do so.  Our reminiscence has invaded Facebook, as the ten or fifteen new friends that she made over the weekend grasp at any attempt to maintain her presence in their lives.  The Doctor has recorded the weekend in gonzo words.  There is video footage of Frenchie drunk (after puking in a Freedom bar and being whisked away to avoid cops who had suddenly showed up)-- drunk and singing the chorus and violin parts of "Shoestains" by The Lately.  In French-accent. Drunk, singing, and claiming, "Sitar family...I speak a damn good USA."  Of course, none of this makes much sense alone in this journal, but this is the age of the internet and digital media; and we'll all have a chance to share the story in our own ways.  So, Facebook, doctorofgonzo.com, "Shoestains" video; and also, Frenchie herself said she will definitely be writing about the weekend-- maybe in French?  And maybe between these things, the world will be able to glimpse a picture of the first encounter between the party of Freedom, Wisconsin, and Valentine Michel.

It's Thursday, and people all over Wisconsin are still glowing from the grandness of the weekend.

To be fair, we certainly would have blown minds, done beautiful things, and sown chaos and fun throughout the Fox Valley last weekend even if Valentine Michel had not been there.  It is for sex, drugs, and rock and roll that we make the two-hour drive to Freedom, Wisconsin from Madison.  The reason for this trip was that The Lately was recording an album in Appleton on Saturday and Sunday; the Doctor and I were going along so that we could party Friday night and the Doctor could report on the recording session over the weekend.  Two weeks before the recording weekend, we met the French girl at a party in Madison; she had some unlikely connection to Sam Farrell by that point, and the Doctor and I remembered her shortly after as the random French chick who constantly said "Oh my gooooddd!" and tried to drunkenly unbutton Sam's shirt as he was leaving.  For about a week and a half, we thought little else about her, until she was invited to join us for The Lately recording party weekend.  I don't know who invited her or just why she was invited, really.  But, logically, her answer was "Yes."  "Yes, I am a French girl who has been in America for six months, living in Chicago, and I met you people for about 20 minutes at a house party in Madison.  Two weeks later, you have invited me to get into your car, drive north into Wisconsin for two hours to some country town where you grew up, spend a weekend listening to you record music and sleeping in your parents' house.  And you would like me to play violin on your album, even though you just learned a moment ago that I play it, and I don't know your songs at ALL?  Hell yes!  This is a great plan."

And thus made our weekend.  As I was saying, sex, drugs, and rock and roll.  We were set to make the weekend rock anyway, but adding Frenchie made everyone see our world in a new light, through her eyes.  Through the eyes of a foreigner who was falling in love with us and with Freedom, Wisconsin.  Frenchie, and Springtime, and Kerrigan Bros wine with Simon's Cheese, and the local band at Leap Inn, and the homes of our families that are open to anyone and everyone...You have made this a fucking fantastic weekend.

A Freedom, Wisconsin, weekend always holds a special place in my heart.  Now that we live in Madison, going to Freedom invariably gives me this amazing, soothe-your-soul feeling of Going Home.

Now, I never made the oh-so-obvious connection between the Going Home vibe and the name 'Freedom'.  Until Frenchie.  She was exclaiming all weekend, "What a free country!" and then "and we are in a town called Freedom, Wisconsin!"  Yes, we are.  And that vibe clicked for everyone around:  Wow, this place rocks, this world rocks, the things we are doing fucking rock, we rock.  Loving life.  That is what Valentine Michel gave us.  We have been sharing sex, drugs, and rock and roll with the world all along, freaking out squares by getting naked next to them in a hot tub.  But, now here she is.  She left France, where she was in a shaky relationship, on edge with her parents, taking drugs to sleep, and living with sheep and people who don't have tattoos or wear jewelry.  She came to America to find peace and freedom, and she made everyone of us realize that we are each a source of Peace and Freedom.  She is beautiful and smart and generally awesome, and she makes everyone feel as if they still have some bit of the world to share with her.

The first words Valentine heard in English were the lyrics to "Lucy in the Sky with Diamonds".

We can never know quite what life will bring, but I can say today that life is different, for better or worse or neutral, now that Valentine Michel is part of it.

living with artists.

This is it.  The life.  Editing the Doctor's work, listening to The Lately's music, film festival this afternoon with an eccentric painter we used to know, writing again.  Writing like mad.  Writing the life of artists.  This is Anais; this is where she was.  This artists' life.  The only way to do it.   Live on band time.  Groupies move into my living room.  Whiskey-sour at lunch, at breakfast for the Doctor.  Smoking, various things, depending on who's around.  No money in savings, but beer in the fridge.  Sex-bruised knees, hot tub at 5am, a picture of early Beatles looking at me from the wall and what we'll someday call "early Little Plaything" clipped to refrigerator door.  The life of artists.  Living with artists, loving artists.  Making art, making life.  Beautiful.

sex, drugs, and rock and roll.

...It sounds so dirty at first; gritty and dark and kind of dangerous.  And maybe the phrase was coined to give that impression, and maybe to most it still gives that impression.  Not to me, though.  It's not dirty at all; it is perfect.  The perfect life, the perfect way to be.  It is this artists' life we live.  We writers and painters and musicians and groupies who follow those around.

It's not just SEX, but also love and community and sensuality and the relationships and friendships made in the life.  And it's also sex, and lust, beautiful women and sexy pictures and late naked nights in a hot tub.

DRUGS...means drugs.  Except that that word has a bad reputation in the world today; it sounds like something that will hunt you down, consume you, and kill you.  It sounds like heroin and crack and pills you buy on the street.  For me, it's alcohol, mostly, and pot and caffeine and a very slight smattering of anything else, in the life in Wisconsin.

ROCK N ROLL is art.  To me, and maybe only to me, all artists are rockstars.  Writers and painters and sculptors and poets and pianists and singers and electric-guitarists-- all live the life and all rock the world.

Sex, drugs, and rock and roll is living in a studio apartment with bean bags and a hammock; it's living in a foreign country to get a new experience out of life; it's gathering with whoever will come and making music in a fifty-year-old basement; it's bouncing from dishwasher job to dishwasher job as they fit around touring and recording obligations; it's taking pictures of sexy women drinking wine and whiskey; it's living and painting in Italy for a semester; it's stealing bar glasses from Wisconsin taverns; it's stealing vegetables from gardens to eat on tour; it's following a band to a hot tub at 4am, body shots and threesomes in your neighbors' bathroom, short skirts, psychedelic sombreros, knowing exactly how to take apart and put together an electric guitar, silently sketching the scene in words or pictures as beautiful music is made all around you, living on coffee flavored with Honey Whiskey, sleeping in your friends' hammock; singing, living, loving life, loving people, fucking, fighting, making up, and making love, making magic and giving it to the world without a care.

It's having a story to tell and being fucking proud of it.  This is our life, this artists' life we are living; we are telling our stories in our own ways, sharing our own brands of beauty and magic with the world.  There is no better way to be, no better way to connect to the world.