12 December 2010

dreams of californication.

How I became an Asshole.

The Doctor had run off for the summer, smoking, drinking, and fucking the things that would come his way; I never asked exactly what they were. He was inspired by Miller and Thompson and Lennon and Hicks; he was living his Quiet Days. When he was in a mood like this, all I could do was let him run and stay out of the way.

My husband was an asshole. Not the kind of asshole who will fuck your sister and buy you diamonds to quiet his guilt, but the kind of Hank Moody asshole whom you can't help but fall in love with but wonder at every scene How can anyone live with this guy? The kind of guy who will wind up in a threesome with his agent and some woman he neglected to call back once, in order to enjoy the freak show and do his buddy the favor of getting him laid. His love keeps going back to him despite these indiscretions, and we root for the couple throughout the series; yet we hope, deep down, that they will never resolve their differences for good-- because then the story will end.

He was always prompting me to go out and do this on my own, go make something happen, cross the Gonzo line and understand what it's like on his side. But I never really knew how to do this. In the end, I always preferred la soledad, I guess, preferred to sketch the scene rather than make it. I'm a writer, for Christ's sake; this isn't a group activity.

But I found myself alone on a holiday weekend and feeling I needed to try it, at least. Get the fuck out of the house; if I was to find a story, it was going to be out there. So I started wandering. I spent hours in the city's parks, ate crepes and drank coffee, smoked a bowl on a pier watching fireworks over the lake, and sampled a few Bloody Marys downtown on Sunday afternoon. Writing the whole time, observing the stories of Independence Day in Madison.  I was there to experience something and record it, and it made me want more out of the days to follow than my empty apartment and the safety of work and school and peace and quiet.

Make something happen. The words began to ring in my ears at every moment. If I found myself sitting still in the afternoon or ready to go to bed before midnight, these words would creep into my mind, kick me in the ass, shove me outside to do something in the world.

The next Tuesday night I joined my new coworkers for drinks, and we ended up skinny-dipping. Tuesday nights don't always end this way, but they do usually start with dollar rail drinks, so it was no surprise. It was a gorgeous July night, long after dark-- slightly after bar-close, actually-- when Julia suggested we go swimming at the beach near her house. The three of them were about to hop into the water in their underwear when I explained to them what a terrible idea this would be, with thought to my excursions up North.

You're going to end up wearing wet underwear under your clothes for the rest of the night. I know I'm new here, but if I contribute anything to this crew, let it be this wisdom. Just go naked.”

So, I made that happen; I crossed the line and I took them with me. It was a good start, and it made me feel fabulous. I quickly found good Monday and Wednesday events to sandwich in Tuesday's dollar rails, tried out a few Long Islands after work on Thursdays, and returned to my old office, der Rathskellar, to sketch the scene on Fridays. Saturdays I just wander; Saturdays can be wild or lonely or productive or inspiring or forgotten in the haze of Jameson and weed and Perkins' strawberry waffles.

I grew tired of staying at home.  I was going to class all day and work all evening, and when I left work I didn't want to go home. There is nothing there but some weird neighbors, an empty pantry, and a cold bed. I was practically living the life of a bachelor, and a bachelor pad is the last place you want to be alone if you are awake after two a.m.

On this side of the line, my philosophy is different; my life is different. I drink enough coffee that going to bed is rarely an option, and I drink enough alcohol that staying out always seems like a good idea. I avoid most reasons for ending the night; if something other than going to bed is offered, it usually wins, even if it is sitting up at the library and hammering out a paragraph of a story before I simply can't see anymore through exhaustion or drunkenness or that heavy combination of the two that occurs around six a.m.

I had begun to savor excess. That is what will make you an asshole. Someone will want to reign you in, and you will fuck them over. The Doctor sits in Northern Wisconsin somewhere thinking My wife has run off to smoke, drink, and fuck the things that come her way. And I am saying Don't ask what they are; just let me run, and stay out of the way. His Quiet Days in Madison turned out to be his final blowout at precisely the time that the weekend pushed me over the Gonzo line into chaos. Exactly the sort of asshole I am is the kind of person who will turn from la soledad to la vida loca on a dime without thought to those in tow. I am the sort of asshole who feels justified in this, who continues to plow forward unapologetically, inconsistently, a different sort of asshole each day.

I would call him in between bars to keep in touch That's a bad idea. “Just leaving the Argus, headed to the Cardinal for some music, then I think I'll swing by the 'Dise for one last PBR. I'll give you a call when I leave there.”

But then some guy sat next to me and talked about his novel all night, and when he offered to let me try out his Volcano as we left the bar, the Editor smelled inspiration and couldn't possibly say no. And now I have a new Gonzo novel to edit. And I got to know the bartender, so when he pours me a beer as he locks the doors at two a.m., I think about the cold and empty bachelor pad that awaits me across town if I leave now in time to catch the last bus, and I take the beer and another two, join him for breakfast, and walk home at eight a.m.

Upon leaving the comedy club one Wednesday, I was invited to join a friend for a few more drinks at the Dollar. It was eleven o'clock and Wednesday and everyone around was starting to go to bed, so I figured it was the duty of the Editor to carry on. Eleven would be an embarrassing time to check in. And after a few shots of Jamo and few more PBRs, the bartender was calling last call, and everyone around was ready to go to bed, so I figured it was the duty of the Editor carry on further. When my friend suggested we crash our sleeping buddy's house, it sounded like a great idea, as do most terrible ideas after two a.m.

So, we stumbled that way and tossed pebbles at Craig's bedroom window until he stepped into the cool early-morning air in boxers and slippers to join us for a cigarette. Certainly there was no wholesome reason for me to be up until four a.m. attempting to watch Kill Bill and call a cab and melt into Craig's couch flanked by two single men while the Doctor slept alone two hours north, and the wicked hangover that kept me home all day Thursday reminded me of this. But, that happened, and I live to write the story, and I am just the sort of asshole who calls that a success.

Once you start to savor excess, anything less feels like a failure, as you know you are missing out on something. Even when nothing is apparently going on, I know that I will make more happen if I stay awake and away from home than if I just cash in for the night. Moderation is never the most attractive idea, and it definitely never makes a good story. The stories are found at the fringes. The stories happen at the extremes, where moderation is shoved aside; where the line is always crossed, moved further ahead, and crossed again. The stories are in the chaos, so I have thrown myself into the chaos. I skirted the edges for a long time, flirted with moderation, and feared chaos and excess until I tumbled head first into the thick of it and found the beauty there.



This is a real house.  It's old and broken and battered, 'cause shit happens here.  Real shit.
Hank Moody

It will inevitably lead to loneliness, as no one can really live with an asshole for long. Crossing this line into chaos draws borders around the asshole in the middle, throws up boundaries that keep anyone from getting too close too easily. I lost the husband who was hurt by the chaos, I cut off the family who couldn't understand it, and I am out of touch with the friends who can't run with it. There is nothing to the life of the Hank Moody asshole but to sift through the chaos for a bit of magic; nothing can beat the high of landing a good story.

The good ones aren't written about people who make safe choices. They are made about the people who make magic up until the moment that they die face down in a puddle of their own vomit at the age of twenty-eight. No one fully sympathizes with the others in the story who are dealing with the bullshit, because they are so intoxicated by the magnificence of the main character. The main character is an asshole; there is no denying that. This asshole will take everything from you as she digs for a story, rip your heart out and hand it back to you as a work of art, and even you can't help but marvel at the fucking beauty of it.